Many productions are crafted after, or inspired by, quality productions of a similar artist. Now listen to your music without thinking about it too much. The "head bob test" is a great one: listen to commercial releases and see what your head does. Most common consumers don’t really care about the specifics of the mix, they just want to take in the music as an enjoyable experience. This will help shift the focus of your attention to the way your mix will translate to the consumer experience. When listening to commercial productions, focus on the clarity of imaging, the depth of the sound field and the overall listenability of the music. Mastering engineers want the music to ‘escape’ the speakers so that they and other listeners can be raveled into an experience. Listen for the aesthetic qualities of imaging, depth and sound field characteristics. Hone your genuine appreciation of well-produced music that sounds great. The following are some specifics for helping to change the way you listen and to put your mastering engineer's cap on while leaving the mixer's cap in the lounge: So how does the mastering engineer listen to a song? What are they listening for that the mix engineer might not be focused on? They don’t care if there is enough reverb on the vocal, or if the snare cuts through the mix, unless those mix imbalances are inhibiting the ability of the mix to translate to consumer environments.Ĭompartmentalizing yourself to the mastering mindset is critical to making the best processing decisions. Their job is to help the existing mix to translate to the consumer environment. The mastering engineer’s job is not to evaluate the countless creative decisions made in a mix. Nobody knows your mix better than you do. One of the primary reasons mastering your own music is such a challenge is perspective. But even if you are a skilled mixing and mastering engineer, mastering your own mixes presents unique challenges. Meeting the need to keep expenses low and still produce a quality product can be a practical reality. Today, producers and artists alike are learning the skills of mixing and mastering to present their music in a competitive way alongside commercial recordings. In order to keep the work coming in steadily, many have crossed over their skills to learn the art of a once separate profession. A lot has changed…įast forward to the way records are often made these days, and you will find that many mixing and mastering engineers have built their own personal mix and master studios away from expensive commercial spaces. This was, of course, the era of big recording budgets. In other words, give your finished mix to a professional who has made their career practicing the art of mastering, and you will reap the rewards of their experience. The reasons are plentiful, but the most important one was that mastering was a completely different profession from that of the mix engineer. The common wisdom of the pro audio world has always been that you should never master your own mixes. Learn how to maintain perspective and objectivity when mastering your mixes. One of the first rules of music production has been to never to master your own mixes, but some rules are meant to be broken.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |